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The Little Lady Conquers the Burly Brahms D Minor

 I happened upon a video of Hélène Grimaud playing Brahms' meaty 1st concerto (Grimaud Plays Brahms) and was reminded of Spencer Tracy's observation of Katherine Hepburn: "There ain't much meat on her, but what there is is choice." In the case of Grimaud, not only is she lovely to look at, but she is inspiring to hear. That tiny frame produces an enormous sound and supreme virtuosity with no apparent effort. What could be the source of her power, I wonder? Hmmm...

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